Europe in the Middle East-The Middle East in Europe
Summer Academy for Doctoral and Postdoctoral Researchers
in Cairo, September 16-27, 2012
(deadline for applications: 15 April 2012)
The research project Europe in the Middle East-The Middle East in Europe
(EUME) of the Berlin-based Forum Transregionale Studien and the ‘Center
for Translation Studies’ of the American University in Cairo invite
scholars of Comparative Literature, Cultural Anthropology, Middle East
Studies, Political Science, and Sociology to apply for an international
Summer Academy from September 16 – 27, 2012 at the American University in
Cairo on the theme Aesthetics and Politics: Counter-Narratives, New Publics,
and the Role of Dissent in the Arab World.
The Summer Academy
is chaired by a group of scholars that include Randa Aboubakr (Cairo
University), Michael Allan (University of Oregon / Fellow of EUME 2011/12),
Sinan Antoon (NYU), Ayman El-Desouky (SOAS London), Elias Khoury
(NYU/Beirut), Samia Mehrez (American University in Cairo), Rachid Ouaissa
(Philipps-Universität Marburg), Friederike Pannewick (Philipps-Universitaet
Marburg), Samah Selim (Rutgers University), and is held in cooperation with
the Center for Near and Middle Eastern Studies of Philipps-Universitaet
Marburg.
24 doctoral and postdoctoral scholars from different countries and academic
disciplines will be given the opportunity to present and discuss their
current research. Intellectuals, writers and scholars from Egypt will also
participate in the discussions and events of the Summer Academy.
The Summer Academy is designed to support scholarly networks and contribute
to closer ties among research activities in and outside Europe and the
Middle East. It is also meant to foster interdisciplinary research fields
that benefit from the sort of intercultural cooperation this forum provides.
In order to promote intensive debate and encourage new perspectives, the
Summer Academy is structured around four main elements: presentations of
individual research projects in small groups, working group sessions for the
participants, general lectures, and panel discussions open to a wider
public.
Program
The uprisings in the Arab world have challenged traditional paradigms for
understanding culture and politics in the region and have opened up new sets
of questions in both spheres. ‘Revolution,’ as both concept and
practice, has at once enabled innovative modes of critique, imaginings of
new utopias, re-signified subjectivities, as well as communal solidarities.
What are some of the new terms, frames of understanding, and transformations
that have begun to crystallize through the political and cultural changes in
the aftermath of the Arab uprisings? In what ways do the uprisings across
the Arab world reformulate the relationship between politics and culture in
and outside the region? How might we understand the role of dissent and
counternarratives in the political process? And how should we conceive the
place of literature and the arts in this new context? How might analyzing
the relationship between aesthetics and politics ultimately enrich the way
we understand and position our own work as scholars of the region? How might
we understand and deploy key political terms inspired by the Arab uprisings
emphasizing freedom, human dignity, and social justice-and what do these
terms mean in our academic contexts?
Scholars are encouraged to explore aesthetic forms in the broadest
sense-not in only literature, but also in new media, music, film,
performance, fashion and street art. How have these aesthetic forms
facilitated the imagining of political practice and a new public sphere? Can
we trace echoes of this political vocabulary in the novels, art, poetry,
songs, and films of the last decades, many of which deployed emancipatory or
subversive rhetoric? The postmodernism of the 1990s and 2000s in the Arab
world emerged as an explicit rejection of older forms of realism, and
aesthetic-as well as political-commitments: the fragment, the minority,
the personal confession, the pastiche, and the mistrust of representation
itself were all features of this trend. Were the 21st century uprisings
nourished and shaped by this movement, or has their explosion onto the world
stage sounded the death-knell of the postmodern Arab subject? What kinds of
new narrative modes and structures-or even altogether new genres-might
emerge from this revolutionary moment?
What is the impact of old and new media on the values and norms of a
society? Do new forms of communication point to new ways of reconstructing
civil society in the Middle East or are these channels limited to
intellectual and social elites? How has new media transformed literature? We
might consider shifts both in style and language (with the influence of SMS
language, cell phone novels and blogs), as well as the new publics imagined
in these textual forms. Is there something like a new aesthetic implicit in
the current revolutionary movement?
Part of analyzing the relationship of aesthetics and politics means
rethinking the role of culture and intellectuals in a revolutionary context.
Are intellectuals still relevant in current public debates? Does the term
‘intellectual’ apply to the new actors, movements, and organizations
involved in the Arab uprisings? What does a ‘revolution’ without leaders
tell us about the role of intellectuals in the 21st century? These
questions are deeply embedded in the ongoing reconfiguration of the idea of
culture as a whole in the revolutionary imagination. How are intellectuals,
artists, institutional actors and the broader public beginning to rethink
the idea of culture as a public good in light of the complex tensions
between the effects of globalization and the marketplace on the one hand,
and established practices of ‘managed’ national culture on the other?
How are we to define public culture in this context, and how can we begin to
map out a revolutionary genealogy of cultural practice relevant to the
changing landscapes of the 21st century?
In what ways do cultural forms inflect the political imaginary, and what
might be the role of the revolutionary state, corporate foundations, and the
market in cultural production and dissemination?
Conditions of Application and Procedure
Participants receive a stipend covering travel and accommodation. The
program targets doctoral and postdoctoral researchers of Comparative
Literature, Cultural Anthropology, Middle East Studies, Political Science,
and Sociology, who wish to present their ongoing projects in a comparative
perspective in relation to the questions raised above. The researchers’
work should be clearly relevant to the themes of the Summer Academy. While
the focus of the Summer Academy will be the Arab world, comparative
perspectives on the relation of aesthetics and politics from other regions
are welcome, transregional comparative approaches being especially
encouraged. The working language is English. The application should likewise
be in English and consist of
- a curriculum vitae
- a three- to five-page outline of the project the applicant is currently
working on, with a brief summary thereof,
- the names of two university faculty members who can serve as referees
(no letters of recommendation required)
sent by e-mail as one pdf file or in one word document.
The application should be submitted in English and should be received by
April 15, addressed to eume@trafo-berlin.de
Institutional Framework
The Summer Academy is supported within the overall framework of the research
program ‘Europe in the Middle East-The Middle East in Europe’ (EUME),
which focuses on the diverse processes of transfer, exchange and interaction
between Europe and the Middle East. EUME is hosted and supported by the
Forum Transregionale Studien.
The Forum Transregionale Studien is a new research platform of the Land of
Berlin designed to promote research that connects systematic and
region-specific questions in a perspective that addresses entanglements and
interactions beyond national, cultural or regional frames. The Forum works
in tandem with already existing institutions and networks engaged in
transregional studies and is supported by an association of directors of
research institutes and networks mainly based in Berlin. It is funded by the
Senate
of Berlin.
Contact
Europe in the Middle East-The Middle East in Europe
c/o Forum Transregionale Studien
Wissenschaftskolleg zu Berlin
Attn: Georges Khalil
Wallotstrasse 19
14193 Berlin
Germany
eume@trafo-berlin.de [mailto:eume@trafo-berlin.de]
For more information on Europe in the Middle East-The Middle East in
Europe:
www.eume-berlin.de [http://www.eume-berlin.de/]
For more information on the Forum Transregionale Studien:
www.forum-transregionale-studien.de
[http://www.forum-transregionale-studien.de/]
Please find a PDF version of the announcement here:
http://www.forum-transregionale-studien.de/fileadmin/eume/pdf/sommerakademie/eume-SummerAcademy2012.pdf
[http://www.forum-transregionale-studien.de/fileadmin/eume/pdf/sommerakademie/eume-SummerAcademy2012.pdf]